Contact
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Thanks and acknowledgements
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© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower C1 DVD-ROM: 9788490366981
Digital Empower C1 Online: 9788490369210
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones with Mark Hancock and Wayne Rimmer
Workbook: Robert McLarty
Teacher's Book: Wayne Rimmer with Tim Foster and Julian Oakley
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they have provided during the development of the C1 Student's book:
Peggy Alptekin, Turkey and the Gulf; Daniel Hernández, Mexico; Hugo Gustavo Fabila Patiño, Mexico; Hilary Plass, Spain; Wayne Rimmer, Russia; Rodrigo Rosa, Brazil.
The publishers are grateful to the following contributors: Graham Hart: Audio recordings; Matt Devitt, Peter Durgerian and Nick Coombs, Headfirst Productions: Video recordings; Matt Devitt: Video music composition and performance; Charlotte Macpherson Photography: Commissioned photography; Hilary Luckcock: Picture research; Catherine Smith: writer (Speaking Plus); Julie Moore: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Lanchuela: design and typesetting (English for Spanish Speakers); Paloma Bermejo: picture research (English for Spanish Speakers); Theo Jaskolkowski and Robert Campbell: audio recordings (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted.
While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
Text on p. 8 adapted from 'Ellen MacArthur: my career in languages' by Louise Tickle, The Guardian, 29.08.2013 © Guardian News and Media Limited 2013; Text on p. 8 adapted from 'Why languages matter to me: Eddie Izzard, Alastair Campbell and more' by Louise Tickle, The Guardian, 28.08.2013 © Guardian News and Media Limited 2013; Text on p. 8 adapted from 'Thomasina Miers: learning Spanish on a Mexican food odyssey' - video, The Guardian, 02.04.2015 © Guardian News and Media Limited 2015; Text on p.10 and Listening (Audio Script) from 'BBC: polyglot explains how to learn languages, foreign languages= $, £, € and jobs' Interview with Nick Chambers and Susanna Zaraysky, 30.01.2012 BBC, Newshour, © BBC Worldwide Learning; Quote on p. 20 from 'We all crave it, but can you stand the silence? The longest anyone can bear Earth's quietest place is 45 minutes' by Ted Thornhill, 05.04.2012, © Mail Online 2012; Text on p. 20 adapted from 'Experience: I've been to the quietest place on Earth' by George Michelson Foy, The Guardian, 18.05.2012 © Guardian News and Media Limited 2012; Text on pp. 23,24 adapted from 'Why Some of Us Are Thrill-Seekers' by Angela Haupt US News and World Report, 6.08.2012 pp.1-2. Copyrighted 2015. U.S. News & World Report. 116781:0615BC; Text on p. 32 adapted from 'Pod Caribbean Children's Home - Belize - Volunteer Reviews': Linda and Malcolm – 2013 and 'Pod Community Projects - Ghana - Volunteer Reviews': Debbie – Child care, baby weighing and building, 2014, © Personal Overseas Development Ltd 2013/2014. All Rights Reserved; Text on p. 34 and Listening (Audio Script) from 'The Problem with Volunteering' by Daniela Papi, 01.05.2013 BBC Radio 4: Four Thought, © BBC Worldwide Learning; Text on p. 36 simplified from ''Surviving malaria on the Mano River' by Will Millard BBC News Magazine, 13.09.13 BBC News Magazine: Four Thought, © BBC News 2013; Text on pp. 36,37 and Listening (Audio Script) from 'Journey of a lifetime, Mum Says 'You're a Long Time Dead'' by Will Millard, BBC Radio 4 Journey of a lifetime, The River Wild (Episode 1) 2013, © BBC Worldwide Learning; Text on p. 46 and Listening (Audio Script) from 'Glucosamine for osteoarthritis; Alcohol addiction; Gut instinct', Dr Mark Porter, BBC Radio 4: Inside Health, 12.02.2014 © BBC Worldwide Learning; Text on p. 48 simplified from ''Witness For the Defense: The Accused, the Eyewitness, and the Expert Who Puts Memory On Trial' by Dr. Elizabeth Loftus and Katherine Ketcha St. Martins Press, 01.09.1992, © St. Martins Press 1992, permission granted by the author Dr. Elizabeth Loftus; Text on p. 56 adapted from 'Inside Halden, the most humane prison in the world' by Amelia Gentleman, The Guardian, 18.05.2012, © Guardian News and Media Limited 2012; Text on p. 60-61 adapted from 'Six surprisingly well-paid jobs' by Donna Ferguson, The Guardian, 07.08.2014, © Guardian News and Media Limited 2014; Text on p. 68-69 adapted from '14 Lessons Elliott Erwitt Has Taught Me About Street Photography' by Eric Kim, Eric Kim Street Photography Blog, 23.09.2013, Eric Kim with permission; Text on p. 71 and Listening (Audio Script) from 'You are Now Entering the Human Heart' by Janet Frame in Selected Short Stories 01.12.2009, Pages 246- 251, © Janet Frame Trust with permission from the Wylie Agency; Text on pp. 80-81 from Rise of the Machines: Meet Bina48, the robot who can tell jokes, recite poetry and mimic humans with startling ease by Emily Anne Epstein, 19.07.2012, Mail Online; Text on p. 82 and Listening (Audio Script) from 'A lie detector on your phone' by Ian Goldin, Future 60 second idea, 16.06.2014, BBC World Service, © BBC Worldwide Learning; Text on p. 82 and Listening (Audio Script) adapted from 'A remote that can reduce street noises' by Anja Kanngiese, Future 60 second idea, 26.09.2013, BBC World Service, © BBC Worldwide Learning; Text on p. 82 and Listening (Audio Script) adapted from 'Job candidates must wear masks' by Maurice Fraser, Future 60 second idea, 25.02.2012, BBC World Service, © BBC Worldwide Learning; Text on p. 83 from REWIRE:DIGITAL COSMOPOLITANS IN THE AGE OF CONNECTION by Ethan Zuckerman. Copyright © 2013 by Ethan Zuckerman. Used by permission of WW.Norton & Company,Inc.; Text on p. 84 adapted from 'This column will change your life: loneliness and temperature' by Oliver Burkeman, The Guardian, 01.06.2013, © Guardian News and Media Limited 2013; Text on p. 92 simplified from 'Segmented sleep: Ten strange things people do at night' by Stephanie Hegarty, BBC News Magazine, 22.02.2012, BBC News Magazine, © BBC News 2012; Text on p. 93 adapted from 'The myth of the eight-hour sleep' by Stephanie Hegarty, BBC News Magazine, 22.02.2012, BBC News Magazine, © BBC News 2012; Text on p. 96 adapted from 'Aubrey de Grey: We don't have to get sick as we get older' by Caspar Llewellyn Smith, The Guardian, 01.08.2010, © Guardian News and Media Limited 2010; Text on p. 97 and Listening (Audio Script) adapted from 'Can extreme calorie counting make you live longer?' by Peter Bowes, 24.03.2013, BBC World Service, © BBC Worldwide Learning; Text on pp. 104-105 from 'No kerbs, pavements or nanny-state signs: Britain's longest clutter-free street is unveiled to make things SAFER By Ray Massey, 02.02.2012, Mail Online; Text on p. 108 adapted from 'Zaha Hadid: 'I don't make nice little buildings' by Xan Brooks, The Guardian, 22.09.2013, © Guardian News and Media Limited 2013; Text on p. 109 and Listening (Audio Script) adapted from 'Pants' skyscraper? China reacts against latest tall building' by John Sudworth, 08.12.2012, BBC News World © BBC Worldwide Learning; Quote on p. 116 from Ashley Ormon with permission; Quote on p. 116 from Emma Watson's UN Speech on Gender & Equality, Emma Watson with permission; Quote on p. 116 from 'The Scaffolding of Rhetoric' by Winston S. Churchill (1897). Reproduced with permission of Curtis Brown, London on behalf of the Estate of Winston S. Churchill Copyright © The Estate of Winston S. Churchill; Quote on p. 116 and text on p. 117 adapted from 'How to give a killer presentation' by Chris Anderson, Harvard Business Review, June 2013. Copyright © 2013 Harvard Business School Publishing. All rights reserved. Harvard Business Publishing is an affiliate of Harvard Business School. One-time permission to reproduce granted by Harvard Business Publishing.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom, b/g = background
p7: Corbis/Frans Lanting; p8(T): Rex/Steve Meddle; p8(L): Getty/Chris Jackson; p8(R): BBC/Jeff Overs; p9: Rex/David Crump/Daily Mail; p10(T): Susanna Zaraysky; p10(BL): Getty/Image Source; p10(BR): Alamy/PhotoAlto; p11(L):Alamy/World History Archive; p11(R): Alamy/Picture Press; p16(1): Corbis/Hero Images; p16(2): Alamy/D J Clark; p16(3): Shutterstock/Olga Nayashkova; p16(4): Corbis/didi/amanaimages; p16(5): Corbis/Mondelo/epa; p16(6): Alamy/Itani; p16(7): Corbis/Dinodia; p16(B): Corbis/Juice Images; p19: Getty/David Trood; p20: Getty/alacatr; p21: Ellary Eddy; p22: Corbis/Michael Haegele; p23(TL): Alamy/M ShieldsPhotos; p23(TR): Alamy/Jack Sullivan; p23(C): Alamy/Jorchen Tack; p23(B): Corbis/Christian Heeb/JAI; p24: Corbis/2/Peter Cade/Ocean; p25(L): Alamy/Aurora Photos; p25(R): Shutterstock/r.classen; p28(paintballing): Alamy/digitalknight; p28(pony trekking): Getty/Hemis.fr RM; p28(bungee jumping): Getty/Multi-bits; p28(tree-top adventuring): Shutterstock/Dmitry Naumov; p28(karting): Getty/Galina Barskaya; p28(whitewater rafting): Getty/Matthew Micah Wright; p28(BL): Shutterstock/Grisha Bruev; p28(BCL): Getty/Juanmonino; p28(BCR): Shutterstock/Gelpi JM; p28(BR): Getty/Photo Talk; p31: Phil Clarke Hill/In Pictures; p32(Debbie): Corbis/Emma Tunbridge; p32(C)(Ghana): www.podvolunteer.org; p32(T): www.podvolunteer.org; p32(Linda & Malcolm): Corbis/C12; p32/33(b/g): www.podvolunteer.org; p33: www.podvolunteer.org; p34(T)): Clore Social Leadership Programme; p34(BL): Corbis/Paul Souders; p34(BR): Corbis/Destinations; p35(T): Will Millard; p35(B): Will Millard; p36(1): Alamy/John King; p36(2)(dragonfly): Shutterstock/Kletr; p36(2)(fish eagle): Shutterstock/Kobus Tollig; p36(3): www.mosquitohammock.com; p36(4): Corbis/2/David Freund/ocean; p37: Will Millard; p40(main): Corbis/Dmitry Rukhlenko; p40(inset L): Alamy/Radomir Rezny; p40(inset R): Corbis/Heather Elton/Design Pics; p43: Corbis/Edgar Su/Reuters; p46: Alamy/Glow Asia RF; p47(T): Getty/Betsie van der Meer; p47(BL): Corbis/noonland/Westend61; p47(BR): Alamy/M J Perris; p49(B): Shutterstock/AGCuesta; p52: Shutterstock/Michael Plachy; p53: Getty/Tim Gerard Baker; p55: Corbis/Minden Pictures; p57a): Rex/Trond Isaksen; p57(b): Corbis/Heiko Junge/epa; p57(c): Corbis/Alex Masi; p57(d): Rex/Trond Isaksen; p59(TL): Getty/Mint Images - Bill Miles; p59(TR): Corbis/Jose Luiz Pelaez, Inc/Blend Images; p59(BL): Alamy/MBI; p59(BR): Getty/Thomas Northcut; p60: Corbis/Georges Antoni/Hemis; p61: Alamy/Cultura Creative; p64(L): Shutterstock/El Nariz; p64(C): Alamy/Itani; p64(BR): Corbis/Graham Oliver/Juice Images; p65: Getty/Westend61; p67: Corbis/Ilya Naymushin; p68: Magnum/Elliot Erwitt; p69(T) (b/g): Getty/Andrew Bainbridge/EyeEm; p69(C): Corbis/Horst Ossinger/dpa; p70(T): Agnieszka Kurzeja; p70(B): Monika Schmitt; p71: Alamy/H Mark Weidman Photography; p72: Corbis/Michael Gunther/Biosphoto; p74(headshot on screen): Callum Patrick Hughes/Ben Hare; p76(inset L): Alamy/Lebrecht Music & Arts Photo Library; p76(inset R): Getty/rilueda; pp76/77(b/g): Alamy/Arcaid Images; p79: Corbis/BSIP; p80(L): Corbis/Yuya Shino/Reuters; p80(C): Getty/Fort worth Star – Telegram; p80(R): Alamy/Frank Rumpenhorst/EPA; p81: Alamy/Frank Rumpenhorst/EPA; p82(TL): Shutterstock/Syda Productions; p82(TR): Superstock/Blue Jean Images; p82(C): Alamy/Robert Harding Picture Library Ltd; p83(TR): Corbis/Matthias Kulka; p83(BL): Corbis/Zero Creatives; p84: Oliver Burkeman/Jeff Mikkelson; pp84/85: Getty/Thomas Juul; p88(1): Shutterstock/Monkey Business Images; p88(2): Corbis/Hill Street Studios/Blend Images; p88(3): Corbis/Buero Monaco; p88(4): Corbis/Erik Isakson/Blend Images; p88(Claudio): Getty/Erik Isakson; p88(Marsha): Getty/Juanmonino; p88(Sam): Corbis/John Lund/Drew Kelly/Blend Images; p88(Vicki): Shutterstock/William Casey; p91: Alamy/dpa picture alliance archive; p92(T): Alamy/PhotoAlto; p94(Matt): Shutterstock/wavebreakmedia; p94(Lise): Shutterstock/Steve Photography; p94(Bernie): Corbis/B.Boissonnet/BSIP; p94(Iain): Shutterstock/pkchai; p95(L): Corbis/Adam Gault/Science Photo Library; p95(C): Corbis/Klaus Tiedge; p95(snail): Shutterstock/Elena Schweitzer; p95(emu): Shutterstock/a_v_d; p95(bee): Shutterstock/Peter Waters; p95(lips): Rex/Steve Meddle; p95(platza): Alamy/Anton Starikov; p96: Rex/Roland Kemp; p97(T): Getty/T Popova; p97(chard): Shutterstock/Anna Sedneva; p97(sprouted oats): Shutterstock/Sergey Chayko; p97(kale): Shutterstock/Joseph S.L. Tan Matt; p100(chef): Corbis/Peter M Fisher; p100(T): Corbis/Ed Reeve/VIEW; p100(BL): Corbis/Kent Lacin LLC/the food passionates; p100(BC): Alamy/Bon Appetit; 100(BR)/101(BL): Alamy/Victor Fisher; p101(BC): Alamy/dpa picture alliance archive; p103: Getty/ChinaFotoPress; p104: Courtesy Royal Borough Kensington & Chelsea, photographer Olivia Woodhouse; p105(TL): Alamy/James Brunker; p105(TR): Lyke de Wit; p105(BL): Airport Corridor Transportation Corporation, Pittsburgh; p105(BR): Friends of Congress Square Park; p106: Utah Department of Transportation; p107(L): Corbis/Serguei Fomine/Global Look; p107(TC): Alamy/James Freeman; p107(TR): Corbis/Rolf Hicker/All Canada Photos; p107(C): Corbis/Nathan Willock/VIEW; p107(BC): Shutterstock/BasPhoto; p107(BR): Getty/Gale Beery; p108(T): Steve Double; p108(B): Alamy/LOOK Die Bildagentur der Fotografen GmbH; p109(T): Getty/STR/Stringer; p109(C): Getty/Gregory Warren; p109(BL): Shutterstock/Elnur; p109(BR): Shutterstock/Szantai Istvan; p112(TL): Getty/Image Source; p112(BL): Shutterstock/rickyd; p112(inset): Corbis/Michael S. Yamashita; pp112/113(b/g): Alamy/YAY Media AS; p113(inset): Alamy/Theo Moye; p115: Getty/Adrian Dennis; p116(TL): Alamy/WENN Ltd; p116(TR): Corbis/Hulton Deutsch Collection; p116(BL): Ashley Ormon; p116(BR): Alamy/epa european pressphoto agency b.v.; p117: Getty/Tim Bewer; p118(L): Alamy/Chloe Johnson; p118(C): Alamy/Vadym Drobot; p118(R): Shutterstock/Matej Kastelic; p119(TL): Getty/sunygraphics; p119(BL): Shutterstock/nevake; p119(BC): Corbis/13/Ocean; p119(R): Shutterstock/filipe frazao; p120: Corbis/Ella Ling/AMA; p121(TL): Getty/Kena Betancur/Stringer; p121(CL): Corbis/Jose Luis Cuesta/Cordon Press; p121(BL): Alamy/Xinhua; p124(T): Kobal/Bold Films/Blumhouse/Right of Way Films/Sony/David McFadden; p124(inset): Alamy/Moviestore Collection; p124(A): Alamy/Moviestore Collection; p124(C): Kobal/Bold Films/Blumhouse/Right of Way Films/Sony/David McFadden; p127: Shutterstock/Olena Zaskochenko; p128(L): Alamy/James Brunker; p128(TR): Alamy/Mediablitzimages; p128(BR): Alamy/Mediablitzimages; p129: Shutterstock/Francesco83; p130(TL): Shutterstock/Dmitri Maruta; p130(TR): Corbis/Hans Neleman; p130(BL): Shutterstock/Dmitri Maruta; p131(TR): Corbis/Harry Choi/TongRo Images; p131(BR): Shutterstock/Chursina Viktoria; p132(TL): Corbis/Vernon Bryant/Dallas Morning News; p132(TR): Corbis/Frank Lukasseck; p132(CL): Corbis/Richard Du Toit/Minden Pictures; p132(CR): Corbis/Jorn; p132(BL): Corbis/Siephoto/Masterfile; p132(BR): Corbis/Tino Soriano/National Geographic Creative; p133(T): Shutterstock/Olena Zaskochenko; p133(B): Lyke de Wit; p134: Airport Corridor Transportation Corporation, Pittsburgh; p135: Shutterstock/r.classen; p136: Friends of Congress Square Park; p158(L): Alamy/Huntstock, Inc; p158(C): Getty/SolStock; p158(R): Corbis/Ariel Skelley/Blend Images; p159(a): Alamy/William Yu Photography; p159(b): Corbis/Adie Bush; p159(c): Alamy/Novastock; p159(d): Getty/Christian Zachariasen; p159(e): Getty/Mattias Nilsson; p159(f): Shutterstock/Roman Striga; p159(g): Corbis/Stefan Kunert/Westend61; p159(h): Getty/Bananastock; p159(i): Corbis/Jim Reed/Science Fiction; p159(j): Corbis/Brendan Moran/Sportsfile; p159(k): Getty/Image Source; p159(l): Shutterstock/sdecoret; p159(m): Corbis/Poppy Berry; p159(n): Corbis/Seb Oliver/cultura; p159(o): Getty/Colin Brynn; p159(p): Corbis/Odilon Dimier/PhotoAlto; p159(q): Corbis/Marc Romanelli/Blend Images; p160(a): Corbis/Frank Krahmer; p160(b): Corbis/Paul Williams - Funkystock/imageBROKER; p160(c): Shutterstock/Pawel Kazmierczak; p160(d): Corbis/Daniel Fox; p160(e): Corbis/Frank Lukasseck; p160(f): Corbis/Christopher Domakis; p160(g): Shutterstock/M V Photo; p163(TL): Shutterstock/Joseph Sohm; p163(TR): Alamy/Shane Pinder; p163(CL): Alamy/Robert Herrett; p163(CR): Getty/Josef Polleross; p163(BL): Shutterstock/PlusONE; p163(BR): Corbis/Jan Vermeer/Minden Pictures; p165(TL): Alamy/Robert Harding Picture Library Ltd; p165(TR): Getty/Juanmonino; p165(BL): Getty/Juanmonino; p166(a): Shutterstock/antb; p166(b): Shutterstock/1000 words; p166(c): Shutterstock/hans engbers; p166(d): Getty/Paul Thomas/Bloomberg; p166(e): Shutterstock/Pi-Lens; p166(f): Shutterstock/Ewelina Wachala; p166(g): Shutterstock/Santiago Cornejo; p166(h): Shutterstock/Nikonboy; p166(i): Corbis68/Dana Hoff/Ocean; p166(j): Shutterstock/Meryll; p166(k): Alamy/godrick; p166(l): Getty/Steven Miric; p167(T): Getty/Jon Feingersh; p167(C): Getty/Hero Images; p167(B): Shutterstock/Matej Kastelic; p168(T): Corbis/Ed Kashi/VII; p168(C): Corbis/Rainer Holz; p168(B): Corbis/Sven Hagolani; p170: Corbis/William Manning; p171: Corbis/Tuul & Bruno Morandi; p173: Corbis/Matthias Ritzmann; p174(T): Corbis/James Balston/Arcaid; p174(CL): Corbis/Clay McLachlan; p174(CR): Corbis/Jaak Nilson/Spaces Images; p174(BL): Corbis/Schardt Wolfgang/the food passionates; p174(BR): Corbis/Trinette Reed/Blend Images; p176 (BL): Blend Images/Shutterstock; p176 (BR): Zoonar GmbH/Alamy Stock Photo; p178 (T): Adam G. Gregor/Alamy Stock Photo; p178 (C): Agencja FREE/Alamy Stock Photo; p178 (B): ableimages/Alamy Stock Photo; p180 (BR): Geoffrey Robinson/Alamy Stock Photo; p180 (TR): StockShot/Alamy Stock Photo; p180 (L): Tim E White/Alamy Stock Photo; p182 (BL): Image Source/Alamy Stock Photo; p182 (TR): iStock/Getty Images Plus/Getty Images; p184: altafulla/Shutterstock; p186 (BBG): Solvin Zankl/Alamy Stock Photo; p186 (TR): Jan Alamy Stock Photo; p188 (BL): Blend Images/Alamy Stock Photo; p188 (R): altrendo images/Stockbyte/Getty Images; p188 (TL): Chris Rout/Alamy Stock Photo; p190 (TL): Lynne Otter/Alamy Stock Photo; p190 (TR): Dragon Images/Shutterstock; p192: Monkey Business Images/Shutterstock; p194 (L): Jeff Greenberg/Alamy; p194 (TR): Bettmann/Getty Images; p194 (BR): Toria/Shutterstock; p197 (B): Patrick Ward/Corbis/VCG/Getty Images; p197 (T): Westend61/Getty Images; p198: Alexander Raths/Shutterstock; p199: Juanmonino/iStock/Getty Images Plus/Getty Images; p200: Alexander Raths/Shutterstock; p201: PhotoAlto/Alamy Stock Photo.
The following stills were taken on commission by Charlotte Macpherson for Cambridge University Press: pp14, 26, 27), 38, 39, 50, 51, 62, 63, 74, 75, 86, 87, 98, 110, 111, 122, 123.
The publishers would like to thank the following illustrators: Mark Bird pp. 58, 90, 161; Phil Hackett pp. 44, 45, 137; Jérôme Mireault (Colagene) pp. 48, 49; Roger Penwill pp. 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 153, 154, 156, 157; Gavin Reece (New Division) pp. 30, 162; Martin Sanders (Beehive) p. 35; Rosie Scott (NB Illustration) p. 13; David Semple p. 78; Marie-Eve Tremblay (Colagene) pp. 18, 27 (C), 54, 86 (T), 87 (TR), 102, 164.
Front cover photograph by Shutterstock/Serjio74.
Cover design: Chefer
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps us to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting and in the next update to the digital edition, as applicable.
Tommaso Allan for the quote on p.25. Reproduced with permission.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = Left, C = Centre, R = Right, T = Top, B = Bottom.
p.4(CL): Getty Images/Image Source; p.4(CR): Shutterstock/Golden Pixels LLC; p.5(CL): Alamy/Tetra Images; p.6(T): Shutterstock/Kinga; p.7(TR): Shutterstock/Wong Sze Yuen; p.9(TL): Shutterstock/Antoniodiaz; p.10(CL): Shutterstock/Fedor Selivanov; p.10(TR): Alamy/Cavan Images; p.11(CR): Shutterstock/Konstantin Shishkin; p.12(TR): Getty Images/Thomas Barwick; p.14(BL): Shutterstock/Vanessa Nel; p.15(TL): Shutterstock/Racorn; p.16(CL): Alamy/Neil Cooper; p.17(BL): Shutterstock/William and Sons Photo; p.18(T): Alamy/MBI; p.19(TR): Alamy/Ayhan Altun; p.20(T): Shutterstock/Mariakraynova; p.21(TL): Shutterstock/Everett Historical; p.22(TR): Getty Images/Altrendo Images; p.23(BR): Getty Images/Rigoulett Gilles/hemis.fr; p.24(TR): Shutterstock/Jeanette Dietl; p.25(TR): Getty Images/Jamie McDonald; p.26(TR): Shutterstock/Gwoeii; p.27(TL): Shutterstock/Daria Filimonova; p.29(TL): Getty Images/Francoise De Mulder; p.29(BL): Alamy/Arterra Picture Library; p.30(B): Shutterstock/EFesenko; p.32(TR): Shutterstock/Photographee.eu; p.33(TL): Shutterstock/iurii; p.34(TR): Agnieszka Kurzeja; p.34(BR): Getty Images/Massimiliano Fradici/EyeEm; p.35(TR): Getty Images/Multi-bits; p.36(TR): Shutterstock/Zurijeta; p.38(BR): Corbis/Reuters/Herwig Prammer; p.39(TL): Shutterstock/ChameleonsEye; p.40(BL): Shutterstock/Lizard; p.40(TR): Shutterstock/Jacek_Kadaj; p.41(BL): Corbis/Dmitry Rukhlenko; p.42(TR): Shutterstock/Syda Productions; p.44(TR): Shutterstock/Bikeriderlondon; p.45(TL): Corbis/Reuters/Yuya Shino; p.46(TL): Shutterstock/Elena Stepanova; p.47(TL): Alamy/Olavs Silis; p.47(CR): Corbis/Aldo Gazzaniga/Splash News; p.48(TL): Corbis/John W. Gertz; p.49(BL): Corbis/James Balston/Arcaid; p.50(BL): Shutterstock/Greg Epperson; p.51(TL): Shutterstock/Monkey Business Images; p.52(TL): Alamy/Asiaselects; p.52(BR): Alamy/Rafael Ben-Ari; p.53(TL): Shutterstock/Lucy Clark; p.54(TR): Shutterstock/Marcos Mesa Sam Wordley; p.55(TR): Alamy/RosaIreneBetancourt 3; p.56(TR): Shutterstock/Tusharkoley; p.59(TR): Shutterstock/Robynleigh; p.60(TR): Alamy/Hero Images Inc.; p.62(CR): Shutterstock/F9photos; p.63(TL): Shutterstock/Matej Kastelic.
Video stills by Rob Maidment and Sharp Focus Productions:p.3, 64, 67, 69.
Filming in King's College by kind permission of the Provost and Scholars of King's College, Cambridge.
Illustration by Kamae Design p.23; David Semple p.28, 46, 58, 59
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Catriona McDermid: writer (Speaking Plus teacher's notes); Louise Davoren: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: David Semple, Sean (KJA), Paul Williams
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom, VF = Vocabulary Focus, WF = Writing Focus.
Lesson C p10: Charlotte Macpherson for Cambridge University Press; Lesson D p11(L): Shutterstock/El Nariz; Lesson D p11(CL): Alamy/Itani; Lesson D p11(C): Corbis/Graham Oliver/Juice Images; Lesson D p11(B): Getty/Westend61; Lesson E p12: altafulla/ Shutterstock; p13(L) Alexander Raths/Shutterstock; p13(R): Juanmonino/iStock/Getty Images Plus/Getty Images.
Front cover photograph by Shutterstock/Serjio74.
Cover design: Chefer
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
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This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower C1 DVD-ROM: 9788490366981
Digital Empower C1 Online: 9788490369210
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones with Mark Hancock and Wayne Rimmer
Workbook: Robert McLarty
Teacher's Book: Wayne Rimmer with Tim Foster and Julian Oakley
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they have provided during the development of the C1 Student's book:
Peggy Alptekin, Turkey and the Gulf; Daniel Hernández, Mexico; Hugo Gustavo Fabila Patiño, Mexico; Hilary Plass, Spain; Wayne Rimmer, Russia; Rodrigo Rosa, Brazil.
The publishers are grateful to the following contributors: Graham Hart: Audio recordings; Matt Devitt, Peter Durgerian and Nick Coombs, Headfirst Productions: Video recordings; Matt Devitt: Video music composition and performance; Charlotte Macpherson Photography: Commissioned photography; Hilary Luckcock: Picture research; Catherine Smith: writer (Speaking Plus); Julie Moore: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Lanchuela: design and typesetting (English for Spanish Speakers); Paloma Bermejo: picture research (English for Spanish Speakers); Theo Jaskolkowski and Robert Campbell: audio recordings (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted.
While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
Text on p. 8 adapted from 'Ellen MacArthur: my career in languages' by Louise Tickle, The Guardian, 29.08.2013 © Guardian News and Media Limited 2013; Text on p. 8 adapted from 'Why languages matter to me: Eddie Izzard, Alastair Campbell and more' by Louise Tickle, The Guardian, 28.08.2013 © Guardian News and Media Limited 2013; Text on p. 8 adapted from 'Thomasina Miers: learning Spanish on a Mexican food odyssey' - video, The Guardian, 02.04.2015 © Guardian News and Media Limited 2015; Text on p.10 and Listening (Audio Script) from 'BBC: polyglot explains how to learn languages, foreign languages= $, £, € and jobs' Interview with Nick Chambers and Susanna Zaraysky, 30.01.2012 BBC, Newshour, © BBC Worldwide Learning; Quote on p. 20 from 'We all crave it, but can you stand the silence? The longest anyone can bear Earth's quietest place is 45 minutes' by Ted Thornhill, 05.04.2012, © Mail Online 2012; Text on p. 20 adapted from 'Experience: I've been to the quietest place on Earth' by George Michelson Foy, The Guardian, 18.05.2012 © Guardian News and Media Limited 2012; Text on pp. 23,24 adapted from 'Why Some of Us Are Thrill-Seekers' by Angela Haupt US News and World Report, 6.08.2012 pp.1-2. Copyrighted 2015. U.S. News & World Report. 116781:0615BC; Text on p. 32 adapted from 'Pod Caribbean Children's Home - Belize - Volunteer Reviews': Linda and Malcolm – 2013 and 'Pod Community Projects - Ghana - Volunteer Reviews': Debbie – Child care, baby weighing and building, 2014, © Personal Overseas Development Ltd 2013/2014. All Rights Reserved; Text on p. 34 and Listening (Audio Script) from 'The Problem with Volunteering' by Daniela Papi, 01.05.2013 BBC Radio 4: Four Thought, © BBC Worldwide Learning; Text on p. 36 simplified from ''Surviving malaria on the Mano River' by Will Millard BBC News Magazine, 13.09.13 BBC News Magazine: Four Thought, © BBC News 2013; Text on pp. 36,37 and Listening (Audio Script) from 'Journey of a lifetime, Mum Says 'You're a Long Time Dead'' by Will Millard, BBC Radio 4 Journey of a lifetime, The River Wild (Episode 1) 2013, © BBC Worldwide Learning; Text on p. 46 and Listening (Audio Script) from 'Glucosamine for osteoarthritis; Alcohol addiction; Gut instinct', Dr Mark Porter, BBC Radio 4: Inside Health, 12.02.2014 © BBC Worldwide Learning; Text on p. 48 simplified from ''Witness For the Defense: The Accused, the Eyewitness, and the Expert Who Puts Memory On Trial' by Dr. Elizabeth Loftus and Katherine Ketcha St. Martins Press, 01.09.1992, © St. Martins Press 1992, permission granted by the author Dr. Elizabeth Loftus; Text on p. 56 adapted from 'Inside Halden, the most humane prison in the world' by Amelia Gentleman, The Guardian, 18.05.2012, © Guardian News and Media Limited 2012; Text on p. 60-61 adapted from 'Six surprisingly well-paid jobs' by Donna Ferguson, The Guardian, 07.08.2014, © Guardian News and Media Limited 2014; Text on p. 68-69 adapted from '14 Lessons Elliott Erwitt Has Taught Me About Street Photography' by Eric Kim, Eric Kim Street Photography Blog, 23.09.2013, Eric Kim with permission; Text on p. 71 and Listening (Audio Script) from 'You are Now Entering the Human Heart' by Janet Frame in Selected Short Stories 01.12.2009, Pages 246- 251, © Janet Frame Trust with permission from the Wylie Agency; Text on pp. 80-81 from Rise of the Machines: Meet Bina48, the robot who can tell jokes, recite poetry and mimic humans with startling ease by Emily Anne Epstein, 19.07.2012, Mail Online; Text on p. 82 and Listening (Audio Script) from 'A lie detector on your phone' by Ian Goldin, Future 60 second idea, 16.06.2014, BBC World Service, © BBC Worldwide Learning; Text on p. 82 and Listening (Audio Script) adapted from 'A remote that can reduce street noises' by Anja Kanngiese, Future 60 second idea, 26.09.2013, BBC World Service, © BBC Worldwide Learning; Text on p. 82 and Listening (Audio Script) adapted from 'Job candidates must wear masks' by Maurice Fraser, Future 60 second idea, 25.02.2012, BBC World Service, © BBC Worldwide Learning; Text on p. 83 from REWIRE:DIGITAL COSMOPOLITANS IN THE AGE OF CONNECTION by Ethan Zuckerman. Copyright © 2013 by Ethan Zuckerman. Used by permission of WW.Norton & Company,Inc.; Text on p. 84 adapted from 'This column will change your life: loneliness and temperature' by Oliver Burkeman, The Guardian, 01.06.2013, © Guardian News and Media Limited 2013; Text on p. 92 simplified from 'Segmented sleep: Ten strange things people do at night' by Stephanie Hegarty, BBC News Magazine, 22.02.2012, BBC News Magazine, © BBC News 2012; Text on p. 93 adapted from 'The myth of the eight-hour sleep' by Stephanie Hegarty, BBC News Magazine, 22.02.2012, BBC News Magazine, © BBC News 2012; Text on p. 96 adapted from 'Aubrey de Grey: We don't have to get sick as we get older' by Caspar Llewellyn Smith, The Guardian, 01.08.2010, © Guardian News and Media Limited 2010; Text on p. 97 and Listening (Audio Script) adapted from 'Can extreme calorie counting make you live longer?' by Peter Bowes, 24.03.2013, BBC World Service, © BBC Worldwide Learning; Text on pp. 104-105 from 'No kerbs, pavements or nanny-state signs: Britain's longest clutter-free street is unveiled to make things SAFER By Ray Massey, 02.02.2012, Mail Online; Text on p. 108 adapted from 'Zaha Hadid: 'I don't make nice little buildings' by Xan Brooks, The Guardian, 22.09.2013, © Guardian News and Media Limited 2013; Text on p. 109 and Listening (Audio Script) adapted from 'Pants' skyscraper? China reacts against latest tall building' by John Sudworth, 08.12.2012, BBC News World © BBC Worldwide Learning; Quote on p. 116 from Ashley Ormon with permission; Quote on p. 116 from Emma Watson's UN Speech on Gender & Equality, Emma Watson with permission; Quote on p. 116 from 'The Scaffolding of Rhetoric' by Winston S. Churchill (1897). Reproduced with permission of Curtis Brown, London on behalf of the Estate of Winston S. Churchill Copyright © The Estate of Winston S. Churchill; Quote on p. 116 and text on p. 117 adapted from 'How to give a killer presentation' by Chris Anderson, Harvard Business Review, June 2013. Copyright © 2013 Harvard Business School Publishing. All rights reserved. Harvard Business Publishing is an affiliate of Harvard Business School. One-time permission to reproduce granted by Harvard Business Publishing.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom, b/g = background
p7: Corbis/Frans Lanting; p8(T): Rex/Steve Meddle; p8(L): Getty/Chris Jackson; p8(R): BBC/Jeff Overs; p9: Rex/David Crump/Daily Mail; p10(T): Susanna Zaraysky; p10(BL): Getty/Image Source; p10(BR): Alamy/PhotoAlto; p11(L):Alamy/World History Archive; p11(R): Alamy/Picture Press; p16(1): Corbis/Hero Images; p16(2): Alamy/D J Clark; p16(3): Shutterstock/Olga Nayashkova; p16(4): Corbis/didi/amanaimages; p16(5): Corbis/Mondelo/epa; p16(6): Alamy/Itani; p16(7): Corbis/Dinodia; p16(B): Corbis/Juice Images; p19: Getty/David Trood; p20: Getty/alacatr; p21: Ellary Eddy; p22: Corbis/Michael Haegele; p23(TL): Alamy/M ShieldsPhotos; p23(TR): Alamy/Jack Sullivan; p23(C): Alamy/Jorchen Tack; p23(B): Corbis/Christian Heeb/JAI; p24: Corbis/2/Peter Cade/Ocean; p25(L): Alamy/Aurora Photos; p25(R): Shutterstock/r.classen; p28(paintballing): Alamy/digitalknight; p28(pony trekking): Getty/Hemis.fr RM; p28(bungee jumping): Getty/Multi-bits; p28(tree-top adventuring): Shutterstock/Dmitry Naumov; p28(karting): Getty/Galina Barskaya; p28(whitewater rafting): Getty/Matthew Micah Wright; p28(BL): Shutterstock/Grisha Bruev; p28(BCL): Getty/Juanmonino; p28(BCR): Shutterstock/Gelpi JM; p28(BR): Getty/Photo Talk; p31: Phil Clarke Hill/In Pictures; p32(Debbie): Corbis/Emma Tunbridge; p32(C)(Ghana): www.podvolunteer.org; p32(T): www.podvolunteer.org; p32(Linda & Malcolm): Corbis/C12; p32/33(b/g): www.podvolunteer.org; p33: www.podvolunteer.org; p34(T)): Clore Social Leadership Programme; p34(BL): Corbis/Paul Souders; p34(BR): Corbis/Destinations; p35(T): Will Millard; p35(B): Will Millard; p36(1): Alamy/John King; p36(2)(dragonfly): Shutterstock/Kletr; p36(2)(fish eagle): Shutterstock/Kobus Tollig; p36(3): www.mosquitohammock.com; p36(4): Corbis/2/David Freund/ocean; p37: Will Millard; p40(main): Corbis/Dmitry Rukhlenko; p40(inset L): Alamy/Radomir Rezny; p40(inset R): Corbis/Heather Elton/Design Pics; p43: Corbis/Edgar Su/Reuters; p46: Alamy/Glow Asia RF; p47(T): Getty/Betsie van der Meer; p47(BL): Corbis/noonland/Westend61; p47(BR): Alamy/M J Perris; p49(B): Shutterstock/AGCuesta; p52: Shutterstock/Michael Plachy; p53: Getty/Tim Gerard Baker; p55: Corbis/Minden Pictures; p57a): Rex/Trond Isaksen; p57(b): Corbis/Heiko Junge/epa; p57(c): Corbis/Alex Masi; p57(d): Rex/Trond Isaksen; p59(TL): Getty/Mint Images - Bill Miles; p59(TR): Corbis/Jose Luiz Pelaez, Inc/Blend Images; p59(BL): Alamy/MBI; p59(BR): Getty/Thomas Northcut; p60: Corbis/Georges Antoni/Hemis; p61: Alamy/Cultura Creative; p64(L): Shutterstock/El Nariz; p64(C): Alamy/Itani; p64(BR): Corbis/Graham Oliver/Juice Images; p65: Getty/Westend61; p67: Corbis/Ilya Naymushin; p68: Magnum/Elliot Erwitt; p69(T) (b/g): Getty/Andrew Bainbridge/EyeEm; p69(C): Corbis/Horst Ossinger/dpa; p70(T): Agnieszka Kurzeja; p70(B): Monika Schmitt; p71: Alamy/H Mark Weidman Photography; p72: Corbis/Michael Gunther/Biosphoto; p74(headshot on screen): Callum Patrick Hughes/Ben Hare; p76(inset L): Alamy/Lebrecht Music & Arts Photo Library; p76(inset R): Getty/rilueda; pp76/77(b/g): Alamy/Arcaid Images; p79: Corbis/BSIP; p80(L): Corbis/Yuya Shino/Reuters; p80(C): Getty/Fort worth Star – Telegram; p80(R): Alamy/Frank Rumpenhorst/EPA; p81: Alamy/Frank Rumpenhorst/EPA; p82(TL): Shutterstock/Syda Productions; p82(TR): Superstock/Blue Jean Images; p82(C): Alamy/Robert Harding Picture Library Ltd; p83(TR): Corbis/Matthias Kulka; p83(BL): Corbis/Zero Creatives; p84: Oliver Burkeman/Jeff Mikkelson; pp84/85: Getty/Thomas Juul; p88(1): Shutterstock/Monkey Business Images; p88(2): Corbis/Hill Street Studios/Blend Images; p88(3): Corbis/Buero Monaco; p88(4): Corbis/Erik Isakson/Blend Images; p88(Claudio): Getty/Erik Isakson; p88(Marsha): Getty/Juanmonino; p88(Sam): Corbis/John Lund/Drew Kelly/Blend Images; p88(Vicki): Shutterstock/William Casey; p91: Alamy/dpa picture alliance archive; p92(T): Alamy/PhotoAlto; p94(Matt): Shutterstock/wavebreakmedia; p94(Lise): Shutterstock/Steve Photography; p94(Bernie): Corbis/B.Boissonnet/BSIP; p94(Iain): Shutterstock/pkchai; p95(L): Corbis/Adam Gault/Science Photo Library; p95(C): Corbis/Klaus Tiedge; p95(snail): Shutterstock/Elena Schweitzer; p95(emu): Shutterstock/a_v_d; p95(bee): Shutterstock/Peter Waters; p95(lips): Rex/Steve Meddle; p95(platza): Alamy/Anton Starikov; p96: Rex/Roland Kemp; p97(T): Getty/T Popova; p97(chard): Shutterstock/Anna Sedneva; p97(sprouted oats): Shutterstock/Sergey Chayko; p97(kale): Shutterstock/Joseph S.L. Tan Matt; p100(chef): Corbis/Peter M Fisher; p100(T): Corbis/Ed Reeve/VIEW; p100(BL): Corbis/Kent Lacin LLC/the food passionates; p100(BC): Alamy/Bon Appetit; 100(BR)/101(BL): Alamy/Victor Fisher; p101(BC): Alamy/dpa picture alliance archive; p103: Getty/ChinaFotoPress; p104: Courtesy Royal Borough Kensington & Chelsea, photographer Olivia Woodhouse; p105(TL): Alamy/James Brunker; p105(TR): Lyke de Wit; p105(BL): Airport Corridor Transportation Corporation, Pittsburgh; p105(BR): Friends of Congress Square Park; p106: Utah Department of Transportation; p107(L): Corbis/Serguei Fomine/Global Look; p107(TC): Alamy/James Freeman; p107(TR): Corbis/Rolf Hicker/All Canada Photos; p107(C): Corbis/Nathan Willock/VIEW; p107(BC): Shutterstock/BasPhoto; p107(BR): Getty/Gale Beery; p108(T): Steve Double; p108(B): Alamy/LOOK Die Bildagentur der Fotografen GmbH; p109(T): Getty/STR/Stringer; p109(C): Getty/Gregory Warren; p109(BL): Shutterstock/Elnur; p109(BR): Shutterstock/Szantai Istvan; p112(TL): Getty/Image Source; p112(BL): Shutterstock/rickyd; p112(inset): Corbis/Michael S. Yamashita; pp112/113(b/g): Alamy/YAY Media AS; p113(inset): Alamy/Theo Moye; p115: Getty/Adrian Dennis; p116(TL): Alamy/WENN Ltd; p116(TR): Corbis/Hulton Deutsch Collection; p116(BL): Ashley Ormon; p116(BR): Alamy/epa european pressphoto agency b.v.; p117: Getty/Tim Bewer; p118(L): Alamy/Chloe Johnson; p118(C): Alamy/Vadym Drobot; p118(R): Shutterstock/Matej Kastelic; p119(TL): Getty/sunygraphics; p119(BL): Shutterstock/nevake; p119(BC): Corbis/13/Ocean; p119(R): Shutterstock/filipe frazao; p120: Corbis/Ella Ling/AMA; p121(TL): Getty/Kena Betancur/Stringer; p121(CL): Corbis/Jose Luis Cuesta/Cordon Press; p121(BL): Alamy/Xinhua; p124(T): Kobal/Bold Films/Blumhouse/Right of Way Films/Sony/David McFadden; p124(inset): Alamy/Moviestore Collection; p124(A): Alamy/Moviestore Collection; p124(C): Kobal/Bold Films/Blumhouse/Right of Way Films/Sony/David McFadden; p127: Shutterstock/Olena Zaskochenko; p128(L): Alamy/James Brunker; p128(TR): Alamy/Mediablitzimages; p128(BR): Alamy/Mediablitzimages; p129: Shutterstock/Francesco83; p130(TL): Shutterstock/Dmitri Maruta; p130(TR): Corbis/Hans Neleman; p130(BL): Shutterstock/Dmitri Maruta; p131(TR): Corbis/Harry Choi/TongRo Images; p131(BR): Shutterstock/Chursina Viktoria; p132(TL): Corbis/Vernon Bryant/Dallas Morning News; p132(TR): Corbis/Frank Lukasseck; p132(CL): Corbis/Richard Du Toit/Minden Pictures; p132(CR): Corbis/Jorn; p132(BL): Corbis/Siephoto/Masterfile; p132(BR): Corbis/Tino Soriano/National Geographic Creative; p133(T): Shutterstock/Olena Zaskochenko; p133(B): Lyke de Wit; p134: Airport Corridor Transportation Corporation, Pittsburgh; p135: Shutterstock/r.classen; p136: Friends of Congress Square Park; p158(L): Alamy/Huntstock, Inc; p158(C): Getty/SolStock; p158(R): Corbis/Ariel Skelley/Blend Images; p159(a): Alamy/William Yu Photography; p159(b): Corbis/Adie Bush; p159(c): Alamy/Novastock; p159(d): Getty/Christian Zachariasen; p159(e): Getty/Mattias Nilsson; p159(f): Shutterstock/Roman Striga; p159(g): Corbis/Stefan Kunert/Westend61; p159(h): Getty/Bananastock; p159(i): Corbis/Jim Reed/Science Fiction; p159(j): Corbis/Brendan Moran/Sportsfile; p159(k): Getty/Image Source; p159(l): Shutterstock/sdecoret; p159(m): Corbis/Poppy Berry; p159(n): Corbis/Seb Oliver/cultura; p159(o): Getty/Colin Brynn; p159(p): Corbis/Odilon Dimier/PhotoAlto; p159(q): Corbis/Marc Romanelli/Blend Images; p160(a): Corbis/Frank Krahmer; p160(b): Corbis/Paul Williams - Funkystock/imageBROKER; p160(c): Shutterstock/Pawel Kazmierczak; p160(d): Corbis/Daniel Fox; p160(e): Corbis/Frank Lukasseck; p160(f): Corbis/Christopher Domakis; p160(g): Shutterstock/M V Photo; p163(TL): Shutterstock/Joseph Sohm; p163(TR): Alamy/Shane Pinder; p163(CL): Alamy/Robert Herrett; p163(CR): Getty/Josef Polleross; p163(BL): Shutterstock/PlusONE; p163(BR): Corbis/Jan Vermeer/Minden Pictures; p165(TL): Alamy/Robert Harding Picture Library Ltd; p165(TR): Getty/Juanmonino; p165(BL): Getty/Juanmonino; p166(a): Shutterstock/antb; p166(b): Shutterstock/1000 words; p166(c): Shutterstock/hans engbers; p166(d): Getty/Paul Thomas/Bloomberg; p166(e): Shutterstock/Pi-Lens; p166(f): Shutterstock/Ewelina Wachala; p166(g): Shutterstock/Santiago Cornejo; p166(h): Shutterstock/Nikonboy; p166(i): Corbis68/Dana Hoff/Ocean; p166(j): Shutterstock/Meryll; p166(k): Alamy/godrick; p166(l): Getty/Steven Miric; p167(T): Getty/Jon Feingersh; p167(C): Getty/Hero Images; p167(B): Shutterstock/Matej Kastelic; p168(T): Corbis/Ed Kashi/VII; p168(C): Corbis/Rainer Holz; p168(B): Corbis/Sven Hagolani; p170: Corbis/William Manning; p171: Corbis/Tuul & Bruno Morandi; p173: Corbis/Matthias Ritzmann; p174(T): Corbis/James Balston/Arcaid; p174(CL): Corbis/Clay McLachlan; p174(CR): Corbis/Jaak Nilson/Spaces Images; p174(BL): Corbis/Schardt Wolfgang/the food passionates; p174(BR): Corbis/Trinette Reed/Blend Images; p176 (BL): Blend Images/Shutterstock; p176 (BR): Zoonar GmbH/Alamy Stock Photo; p178 (T): Adam G. Gregor/Alamy Stock Photo; p178 (C): Agencja FREE/Alamy Stock Photo; p178 (B): ableimages/Alamy Stock Photo; p180 (BR): Geoffrey Robinson/Alamy Stock Photo; p180 (TR): StockShot/Alamy Stock Photo; p180 (L): Tim E White/Alamy Stock Photo; p182 (BL): Image Source/Alamy Stock Photo; p182 (TR): iStock/Getty Images Plus/Getty Images; p184: altafulla/Shutterstock; p186 (BBG): Solvin Zankl/Alamy Stock Photo; p186 (TR): Jan Alamy Stock Photo; p188 (BL): Blend Images/Alamy Stock Photo; p188 (R): altrendo images/Stockbyte/Getty Images; p188 (TL): Chris Rout/Alamy Stock Photo; p190 (TL): Lynne Otter/Alamy Stock Photo; p190 (TR): Dragon Images/Shutterstock; p192: Monkey Business Images/Shutterstock; p194 (L): Jeff Greenberg/Alamy; p194 (TR): Bettmann/Getty Images; p194 (BR): Toria/Shutterstock; p197 (B): Patrick Ward/Corbis/VCG/Getty Images; p197 (T): Westend61/Getty Images; p198: Alexander Raths/Shutterstock; p199: Juanmonino/iStock/Getty Images Plus/Getty Images; p200: Alexander Raths/Shutterstock; p201: PhotoAlto/Alamy Stock Photo.
The following stills were taken on commission by Charlotte Macpherson for Cambridge University Press: pp14, 26, 27), 38, 39, 50, 51, 62, 63, 74, 75, 86, 87, 98, 110, 111, 122, 123.
The publishers would like to thank the following illustrators: Mark Bird pp. 58, 90, 161; Phil Hackett pp. 44, 45, 137; Jérôme Mireault (Colagene) pp. 48, 49; Roger Penwill pp. 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 153, 154, 156, 157; Gavin Reece (New Division) pp. 30, 162; Martin Sanders (Beehive) p. 35; Rosie Scott (NB Illustration) p. 13; David Semple p. 78; Marie-Eve Tremblay (Colagene) pp. 18, 27 (C), 54, 86 (T), 87 (TR), 102, 164.
Front cover photograph by Shutterstock/Serjio74.
Cover design: Chefer
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps us to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting and in the next update to the digital edition, as applicable.
Tommaso Allan for the quote on p.25. Reproduced with permission.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = Left, C = Centre, R = Right, T = Top, B = Bottom.
p.4(CL): Getty Images/Image Source; p.4(CR): Shutterstock/Golden Pixels LLC; p.5(CL): Alamy/Tetra Images; p.6(T): Shutterstock/Kinga; p.7(TR): Shutterstock/Wong Sze Yuen; p.9(TL): Shutterstock/Antoniodiaz; p.10(CL): Shutterstock/Fedor Selivanov; p.10(TR): Alamy/Cavan Images; p.11(CR): Shutterstock/Konstantin Shishkin; p.12(TR): Getty Images/Thomas Barwick; p.14(BL): Shutterstock/Vanessa Nel; p.15(TL): Shutterstock/Racorn; p.16(CL): Alamy/Neil Cooper; p.17(BL): Shutterstock/William and Sons Photo; p.18(T): Alamy/MBI; p.19(TR): Alamy/Ayhan Altun; p.20(T): Shutterstock/Mariakraynova; p.21(TL): Shutterstock/Everett Historical; p.22(TR): Getty Images/Altrendo Images; p.23(BR): Getty Images/Rigoulett Gilles/hemis.fr; p.24(TR): Shutterstock/Jeanette Dietl; p.25(TR): Getty Images/Jamie McDonald; p.26(TR): Shutterstock/Gwoeii; p.27(TL): Shutterstock/Daria Filimonova; p.29(TL): Getty Images/Francoise De Mulder; p.29(BL): Alamy/Arterra Picture Library; p.30(B): Shutterstock/EFesenko; p.32(TR): Shutterstock/Photographee.eu; p.33(TL): Shutterstock/iurii; p.34(TR): Agnieszka Kurzeja; p.34(BR): Getty Images/Massimiliano Fradici/EyeEm; p.35(TR): Getty Images/Multi-bits; p.36(TR): Shutterstock/Zurijeta; p.38(BR): Corbis/Reuters/Herwig Prammer; p.39(TL): Shutterstock/ChameleonsEye; p.40(BL): Shutterstock/Lizard; p.40(TR): Shutterstock/Jacek_Kadaj; p.41(BL): Corbis/Dmitry Rukhlenko; p.42(TR): Shutterstock/Syda Productions; p.44(TR): Shutterstock/Bikeriderlondon; p.45(TL): Corbis/Reuters/Yuya Shino; p.46(TL): Shutterstock/Elena Stepanova; p.47(TL): Alamy/Olavs Silis; p.47(CR): Corbis/Aldo Gazzaniga/Splash News; p.48(TL): Corbis/John W. Gertz; p.49(BL): Corbis/James Balston/Arcaid; p.50(BL): Shutterstock/Greg Epperson; p.51(TL): Shutterstock/Monkey Business Images; p.52(TL): Alamy/Asiaselects; p.52(BR): Alamy/Rafael Ben-Ari; p.53(TL): Shutterstock/Lucy Clark; p.54(TR): Shutterstock/Marcos Mesa Sam Wordley; p.55(TR): Alamy/RosaIreneBetancourt 3; p.56(TR): Shutterstock/Tusharkoley; p.59(TR): Shutterstock/Robynleigh; p.60(TR): Alamy/Hero Images Inc.; p.62(CR): Shutterstock/F9photos; p.63(TL): Shutterstock/Matej Kastelic.
Video stills by Rob Maidment and Sharp Focus Productions:p.3, 64, 67, 69.
Filming in King's College by kind permission of the Provost and Scholars of King's College, Cambridge.
Illustration by Kamae Design p.23; David Semple p.28, 46, 58, 59
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Catriona McDermid: writer (Speaking Plus teacher's notes); Louise Davoren: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: David Semple, Sean (KJA), Paul Williams
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom, VF = Vocabulary Focus, WF = Writing Focus.
Lesson C p10: Charlotte Macpherson for Cambridge University Press; Lesson D p11(L): Shutterstock/El Nariz; Lesson D p11(CL): Alamy/Itani; Lesson D p11(C): Corbis/Graham Oliver/Juice Images; Lesson D p11(B): Getty/Westend61; Lesson E p12: altafulla/ Shutterstock; p13(L) Alexander Raths/Shutterstock; p13(R): Juanmonino/iStock/Getty Images Plus/Getty Images.
Front cover photograph by Shutterstock/Serjio74.
Cover design: Chefer
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
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